producer

All else equal, a decrease in demand will cause an increase in producer surplus（） Which of the following provinces/territories is Canada’s largest producer of oil and gas? The producer comes regularly to collect the cameras _______ to our shop for quality problems. This Swedish company quickly a well-known producer of cars. (become) As a film producer, Disney holds the record for most Academy Awards earned by an individual. Who do you think should ____ theresponsibility for white pollution— Both the producer and the consumer. According to the passage in page 107, for your average cup of coffee, the producer receives roughly _______ that’s about 3.5%. The release date for the documentary film about life in America is__________ , but the producer still has a lot of work to do. The agent in channel ‘Producer—agent—industrial distributor—organizational buyer’ takes a commission on sales it secures with industrial distributors. An arrangement by which a monopoly producer or owner gives another permission for the exclusive right to manufacture or sell the products in a certain area. ( ) Kafka中数据从Producer到Broker和Broker到Consumer分别是哪种传递方式（） Hello, is that Minix Garage? Could I find out if my car is being repaired right now?—Sorry, we ________. But we are waiting for some parts from the producer.[ ] Prosumer指那些参与生产活动的消费者，他们既是消费者(Consumer)又是生产者(Producer)。() The producer of a certain bottling equipment claims that the variance of all their filled bottles is 0.027 or less. A sample of 30 bottles showed a standard deviation of 0.2. The p-value for the test is 在jms中，如果一个producer在发送消息时consumer没有alive，则设置（）才能使得consumer起来后接收到消息。 kafkaproduce读数据总体流程是，producer连接任意存活的broker，请求指定topicpartition的leader元数据信息，然后直接与对应的broker直接连接，发布数据（） 中国大学MOOC: 1980年，未来学家阿尔文·托夫勒在（ ）中，将 Producer与Consumer两个词合成了一个词“Prosumer”，预言生产者和消费者的角色将变得模糊，两者将融合。 Rslogix5000软件中Producer/ConsumerModel是指生产者/用户方式，一种通讯模式，生产者产生的数据能被多个消费者接受，从而得到数据共享。这是因为基于多点传送方式，站点能同时接收信息而得以实现的通讯模式（） For the executive producer of a network nightly news programme, the workday often begins at midnight as mine did during seven years with ABC’s evening newscast. The first order of business was a call to the assignment desk for a pre-bedtime?rundownof latest developments.　　The assignment desk operates 24 hours a day, staffed by editors who move crews, correspondents and equipment to the scene of events. Assignment-desk editors ate logistics experts; they have to know plane schedules, satellite availability, and whom to get in touch with at local stations and overseas broadcasting systems. They are required to assess stories as they break on the wire services—sometimes even before they do - and to decide how much effort to make to cover those stories.　　When the United States was going to appeal to arms against Iraq, the number of correspondents and crews was constantly evaluated. Based on reports from the field and also upon the skilled judgments of desk editors in New York City, the right number of personnel was kept on the alert. The rest were allowed to continue working throughout the world, in America and Iraq ready to move but not tied down by false alarms.　　The studio staff of ABC’s “World News Tonight” assembles at 9 a.m. to prepare for the 6:30 “air” p.m. deadline. Overnight dispatches from outlying bureaus and press services are read. There are phone conversations with the broadcast’s staff producers in domestic bureaus and with the London bureau senior producer, who coordinates overseas coverage. A pattern emerges for the day’s news, a pattern outlined in the executive producer’s first lineup. The lineup tells the staff what stories are scheduled; what the priorities are for processing film of editing tape; what scripts need to be written; what commercials ate scheduled; how long stories should run and in what order. Without a lineup, there would be chaos.　　Each story’s relative value in dollars and cents must be continually as For the executive producer of a network nightly news programme, the workday often begins at midnight as mine did during seven years with ABC’s evening newscast. The first order of business was a call to the assignment desk for a pre-bedtime?rundownof latest developments.　　The assignment desk operates 24 hours a day, staffed by editors who move crews, correspondents and equipment to the scene of events. Assignment-desk editors ate logistics experts; they have to know plane schedules, satellite availability, and whom to get in touch with at local stations and overseas broadcasting systems. They are required to assess stories as they break on the wire services—sometimes even before they do - and to decide how much effort to make to cover those stories.　　When the United States was going to appeal to arms against Iraq, the number of correspondents and crews was constantly evaluated. Based on reports from the field and also upon the skilled judgments of desk editors in New York City, the right number of personnel was kept on the alert. The rest were allowed to continue working throughout the world, in America and Iraq ready to move but not tied down by false alarms.　　The studio staff of ABC’s “World News Tonight” assembles at 9 a.m. to prepare for the 6:30 “air” p.m. deadline. Overnight dispatches from outlying bureaus and press services are read. There are phone conversations with the broadcast’s staff producers in domestic bureaus and with the London bureau senior producer, who coordinates overseas coverage. A pattern emerges for the day’s news, a pattern outlined in the executive producer’s first lineup. The lineup tells the staff what stories are scheduled; what the priorities are for processing film of editing tape; what scripts need to be written; what commercials ate scheduled; how long stories should run and in what order. Without a lineup, there would be chaos.　　Each story’s relative value in dollars and cents must be continually as